Online Morning Class on Film-Choreography
June 21st – 25th, 2021, 9.30 – 12.30 am (MEZ)
Movement seems to be the crucial common point between choreography and cinematography. But how can physical and cinematic movements be arranged, composed, and interwoven with each other?
We will discover the various methods and strategies which can be used to connect dance and film through a close and precise study of selected short dance films. By analysing the genesis, processes, and methods used in our examples, we will learn more about what I refer to as film-choreographic compositions.
Each morning we will delve into another topic, and explore what it means to work with cinematic bodies, space and time, as well as discussing compositional aspects when combining dance and film. The aim is to provide conceptual knowledge on the hybrid film format, and to support the participants in the developement and enhancement of their own ideas for dance films.
June 21st – 25th, 2021
9.30 am – 12.30 am (MEZ)
The number of participants is limited to 10 people, so that we can exchange in a relaxed, friendly atmosphere.
Sarah Möller studied media culture at Bauhaus-Universität Weimar, Université Lumière Lyon II and the University of Potsdam. Currently she is working on a PhD-Thesis at Freie Universität Berlin. Since 2012, she has been working for the international dance film festival POOL in Berlin. She is especially interested in the various ways of interweaving image and dance movement. Additionally, she has been invited as a film programmer, lecturer, and jury member for several international dance film festivals and exhibitions.
Photo: Still aus „The Girl Can’t Help It“ von Yoshiko Chuma