Weekend Workshop on Film-Choreography
June 28 & 29, 10 am – 15 pm (CET)
online
Movement is at the core of both choreography and cinematography — but how can physical and cinematic movement be composed, arranged and interwoven to create a distinct kinesthetic experience on screen?
This workshop explores a range of methods and strategies for connecting dance and film through close analysis of selected films and hands-on experimentation. By examining the genesis, processes, and techniques behind key film examples, we will uncover underlying scores, structures, and compositional approaches.
The workshop is structured into four sessions, each accompanied by a curated selection of films, readings, and creative exercises. The aim is to provide historical and conceptual insight into the hybrid format of dance film while supporting participants in developing and refining their own artistic ideas.
Arranging Movement in Film is designed for a small group of around 10 participants, fostering a collaborative setting where individual knowledge, questions, and perspectives are actively woven into the process. It offers a platform for inspiration and intense exchange and supports participants in sharpening their own ideas and artistic approach.
Schedule
June 28 & 29
10:00 AM – 3:00 PM CET
Including a lunch break
Participation Fee
180 €
The number of participants is limited to 10 to allow for exchange in a relaxed and open atmosphere.
Practical Information
For the workshop, we will use the software Webex, which works similarly to Zoom.
A camera is required for the practical exercises — this can be your phone camera or the built-in camera on your laptop.
I will provide a reader with the texts; we will read and discuss them together during the workshop, so no preparation is necessary.
If you have any further questions or specific needs, please feel free to let me know.
Contact
info@sarahmoeller.de
Sarah Möller has been one of the co-directors of the international dance film festival “POOL – MOVEMENT ART FILM Festival Berlin.” She is especially interested in the various ways of interweaving cinematic and physical movement. Additionally, she has been invited as a film programmer, lecturer, and jury member at several international dance film festivals and exhibitions.
Sarah studied Media Culture at Bauhaus-Universität Weimar, Université Lumière Lyon II, and the University of Potsdam, and has taught at Freie Universität Berlin and HZT Berlin. She maintains an ongoing cooperation with Yoshiko Chuma & The School of Hard Knocks.
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